Comic Page Concept?

Comic Page Concept?

Not gonna lie that I bum rushed this at the end due to being very, very sick. At the very least it turned out better than I thought.
This was a practice page done in my comic book illustration class. It was a practice in flows and cool angle.
The…second to last panel isn’t the best, I just couldn’t figure out the perspective I wanted in time. I ended up redoing pretty much everything at the last minute because how I had it before was just so off.
This is a lesson in never half assing anything ever!!! Never ever! Don’t do you! Those few extra minutes will save you soooo much redoing time!
Always use the perspective grid!!


Character Designs

ngh001 ngh002

Shapely characters have never been my strongest points. Due to my comic booky background I spent most of my time making more human characters. Which aren’t always the best to animate. I’ve animated human characters in the past but that kind of animation just takes too long for the time frame that I have.

To Be a Linchpin

8905010   Linchpin is one heck of a self motivator for artists, or anyone for that fact, since he describes everyone who thinks and lives as themselves, as an artist.  I found myself enjoying it a lot more than most required reading I’ve been forced to read in the past.  What I got from this book is that the message to not fear being different; to be yourself and to embrace your freedom outside of the system of the world even though it feels safe. Being a linchpen is to be irreplaceable. To be irreplaceable is to be different from everyone else; to have qualities that no one else has and to do that we all must be ourselves. Anyone can draw a picture, but if that picture isn’t made from someplace inside yourself it isn’t art. Art no matter how ‘good’ or ‘bad’ it is, if it comes from the soul it is art.  Art isn’t the ability to be able draw, paint, write something, make money or to do it because it is popular but to do it because you want to.

This style of thinking gave me a sense of relief. Throughout my college career I felt like I was being dragged along by my neck.  To me, animation is beyond a short gag or funny; animation to me is powerful.  It is something that can move a person in a profound way. I’ve always been into full length features over cartoon shorts. I went into animation knowing those movies aren’t made anymore and that is what I loved about animation. I have come to feel that the limitations of these shorts have caused me to become stagnant because I’m being torn between the stories and appearances I love and what is popular.

While it isn’t safe and in Seth’s book he makes it clear that being a Linchpin is to not be safe because that is what our lizard mind craves, I feel more confident in my choice in graduating and going off on my own. To draw the way I want to draw and to tell the stories I want to draw.

I am in no way saying that my time her wasn’t worth it. I’ve learned a great deal that I might have not learned other wise but I feel after college I will be free to learn and grow in the way that I see fit.

The Lizard is the conformist side of our personality.  It is the fear in our hearts that get in the way of an individual being great and sabotages creativity because even if that 9 to 5 job sucks, at the very least it is a job. A steady paying job one that is much different from being an artist. Being an artist is never safe. Artist go from job to job without knowing where the next one is coming from. This insecurity drives the lizard insane. Putting yourself out there is the first step to concurring this fear, a simple post on a blog is the first step to being great.

Seth spent a good deal of time talking about how each and every artist has a gift that they wish to share with the world. The gift is free and any payment is at best a far second to the satisfaction of sharing that gift. That very notion seems to follow very closely to real artists. Just the other day I attended CCAD at the Hills: Geek Out: Comics & Columbus and they knew from the very beginning what they wanted to do, any attempts to be someone else and do something different ended in failure and dissatisfaction in the careers and their art.  They wanted to make comics and they wanted to do it the way they wanted. After going off and doing their own thing they gained a following of people who loved the thing they put their own heart and soul into. It was of course a risk and they only make enough to get by and their art takes all their time and energy. There is no stopping to think anything else but their goals but they are still full of life and happy not having to work like a machine cog.

In such a case there is no boss. There is no one to cut them off whenever there is someone else who is better or cheaper.  They are their own boss, no one else can do what they do.  There is no one out there who could ever replace them because what they are creating is there own. That is a Linchpin and that is what I want to be.  I want to be my own boss, creating the stories I want to create and have people love them because they are mine and no one else’s.

Internship List


  • Portland, Oregon.
  • Have passion.
  • Conceive & execute traditional and digital storyboards.
  • Create thumbnails. Understand boarding process start to finish.
  • Good communication skills. Problem solving skills.
  • Be able to work in a team and meet deadlines confidently.

Warner Brothers

  • Burbank, California.
  • Assists production manager.
  • Assembles artwork in Photoshop for overseas.
  • Photocopies, distributes scripts and production things.
  • Prepares storyboards for animatics.


  • Website building.
  • Storyboard.
  • Clip Art.
  • Animation background is a plus.

Cartoon Network

  • Strong academic record.
  • At least sophomore staying in college incoming year.
  • Motivated.
  • Online research on trending.
  • Organize sambles.
  • Pull models.
  • Have the ability to convert media.
  • Participate in several workshops.
  • “An everything internship”.

Comedy Animation Development Internship

  • Provide coverage for scripts, books, etc.
  • Animatics.
  • Review boards.
  • Research talents and projects.
  • Work prints of current shows and projects.
  • Production development.
  • Experience with Final Draft and Microsoft Office.
  • Self-motivated, good attitude.

Storyboard Artist

  • Tell a good story.
  • Film literacy.
  • Layout understanding.
  • Work independently and on a team.
  • Communication and presentation skills.
  • Basic computer literacy.
  • Relevant software familiarity.

Blue Sky

  • Develop ability to depict action/comedy through expressive drawing.
  • Develop ability to stage and maintain visual continuity.
  • Character development, provide editorial fixes and sequence clean-up.
  • Gain exposure to production pipeline and learn how story interacts with other departments.
  • Drawing skills.
  • Demonstrated ability in storytelling.
  • Enthusiasm with collaborating.
  • Junior/Senior in college or have graduated int eh past 9 months.
  • Mail cover letter, resume, two letters of recommendation from faculty, a printed portfolio, and complete the story test on the website.

Donatello 2012!

Donatello 2012!

Donatello from TMNT 2012!
This started off as a simple sketch that I decided to roll with and finish!VwV
When I get into things I get into them deep. I just recently started to watch and read the turtles and I love all of them. All the cartoons were good!VwV Of course I may or may not have started watching it because Cam Clare played Leonardo in the 80s show.
Donatello is my favorite from the 2012 version. His doofyness is just the best!